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Smorgasbord of stories - a taste of Waitakere's oral history

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Currently on in the exhibition space on Level 2 of the Waitakere Central Library is an exhibition highlighting some of the stories of West Auckland contained in our collection of oral history recordings.

 If you are interested in exploring any of these stories in more depth these and other recordings can be listened to in the J T Diamond Reading Room at the West Auckland Research Centre

Ref: Picnic in Henderson, 1932, West Auckland Research Centre, Auckland Libraries.


A menu of sound

Welcome to our smorgasbord.  As the name suggests we have a table ready for tasting – a feast to fit all palettes.

Our feast starts with an appetiser, two slices from an interview with Mrs Elizabeth Baillie (nee Malam).
Elizabeth Baillie was born in 1869 and came to the Te Atatu (now Glendene) area in 1879 when she was ten years old. Recorded by a grandson in 1961, this is the oldest interview in the collection and gives insight into life in the late 1800s.
In the first section, Mrs Baillie explains how she and other members of her family would travel to Auckland on a day trip in the 1890s. In the second section, Mrs Baillie describes the naming of Te Atatu in 1907.

Ref: Mr and Mrs Higham senior in gig outside house, Huia, 1907, West Auckland Research Centre, Auckland Libraries.
 
Track 1      Taking the bus to Auckland

What sort of bus?
A horse bus of course! They hold about twelve or fourteen people comfortably.
And they used to go as far as Avondale did they?
Avondale to Auckland and then they used to come Avondale to New Lynn.

LISTEN - Elizabeth Baillie (1961). WOH-1040.3       Glen Eden Oral History Collection

Ref: Avondale hotel with bus outside (horse), c1910, West Auckland Research Centre, Auckland Libraries.

Track 2      The naming of Te Atatu (formerly Henderson Point)

What was the place know as in those days? It wasn’t called Te Atatu then was it?
It was Henderson Point – they called it.
It was Te Atatu. We had to send it away and get the name to Wellington and get it all fixed up.

LISTEN - Elizabeth Baillie (1961). WOH-1040.3      Glen Eden Oral History Project.

Ref: Te Atatu from Luckens Road, 1967, West Auckland Research Centre, Auckland Libraries.

Track 3      Be Prepared…

Many of you will be familiar with the Scouts motto ‘do a good deed every day’. Bill Beveridge, formerly ChiefRangerWaitakereRegionalPark, tells an explosive story of three boy scouts and their good deed.



Track 4      Huia Dam Loco

Ray Allen worked at a quarry providing rock for the Upper Huia Dam in the 1920s, working on a rotating shift of six days. During this time he lived in the Huia Work Camp, walking out to visit his family at Oratia every two weeks. A great story teller, this locomotive yarn illustrates Ray’s sense of humour.



Ref: Railway engine, 1927, West Auckland Research Centre, Auckland Libraries.

Track 5      Working in the winery

Helena Ataya (b.1911) and her brother Najib Corban (b.1909) were recorded in 2003. In these extracts both Helena and Najib reflect on their childhood. In the first slice, you will hear Helena describing bottling wine at the family winery.

Then we used to do the labelling by hand. That was before they had a labelling machine, and we had to make sure that the labels were dry before we wrapped the bottles again in crepe paper so that the labels would be clean. Then we would have to pack those bottles in a straw covering and pack them into a twelve container box. And those boxes weighed 56lbs. And when I used to work in the business in the sales part of it, I used to lift those boxes five high! I used to swing them up quiet easily – I had good muscles (laughs).


Ref: K.A. Corban, Preparing wine bottles, Mt Lebanon vineyards, c1930, Private Collection.

Helena’s brother Najib Corban talks about catching sprats in the Henderson Creek.

Track 6      Fishing in Henderson Creek

We used to… catch sprats down on the Henderson Creek there below the sale yard. There was a pool there, still there today. We used to swim in that. And the sprats used to come right up to there, kahawai, sometime kingfish would come up. And we used to, Annise [sister], and the doctor brother, he was studying, he used to wake up in the morning about 3 o’clock and we’d all go down and fish the morning, go down and put a net across and catch sprats, Plenty of sprats for the family.


Ref: K.A. Corban, Catching sprats, c1920, Private Collection.

The oral history collection contains many stories of fishing – and in particular references to the many creeks in the area. Here are three more fish stories.
Owen Freeman (b.1932) recalls boyhood eeling adventures.

Track 7      Eel fishing

But our greatest love of course was eel and trout fishing. And through the farm ran two streams which were a great source of interest to us – interest and fun and hours of fishing - eel fishing. We never ever ate the eels; we sometimes cooked them but we never ate them because they smelt so horrible. But they were slimy things. But some of the eels were enormous!

LISTEN - Owen Freeman (2002). WOH-1024-1Ranui Action Project Oral History Collection


Track 8      There was always plenty of fish

What sort of fish did they catch?
Mainly snapper – snapper – and you could go scalloping and all that sort of thing. And floundering. They used to put a flounder net across the creek – across the muddy creek. I don’t know that you are allowed to do that now days. Mind you the snapper is a bit hard to find I think – particularly with the sewage ponds – which have gone now, but over at Mangere – they polluted the harbour and even our beach down here. It was pretty terrible. When the tide went out there wasn’t anything in the little pools. It was just terrible – when the pollution came.


Ref: Rocks, westside of Puponga, 1957, West Auckland Research Centre, Auckland Libraries.


Track 9      The fish van

Mrs Gossleman used to park her little van outside Lopdell House and she sold the most beautiful fish – and how the poor lady sat in the van with everything on ice… it must have been freezing! And this lady used to dress up. And she used to sell this roughy – orange roughy – and it was just wonderful, it really was, to be able to buy your fish there, because the fish shop had long gone.



Track 10    Flight at Muriwai
Essie Chapman was teaching at Muriwai Beach in the 1930s. The romance of flight was rippling throughout the world. Pioneer aviators Kingsford Smith and Charles Ulm had recently made the first trans-Tasman crossing in their plane. At this particular time Charles Ulm was travelling New Zealand offering joy rides in his plane ‘Faith in Australia’.  Listen to Mabel telling the story of Charles Ulm on MuriwaiBeach.


Ref: Aircraft on Muriwai Beach, 1934, West Auckland Research Centre, Auckland Libraries, MURI-P.

Ref: Aircraft on Muriwai Beach, 1934, West Auckland Research Centre, Auckland Libraries, MURI-P.

Track 11    Grandpa’s Pie Party

Dorothy and Roy Butler purchased and renovated Winchelsea House in Karekare, making it a family haven. Warm and welcoming, the large front lawn has seen many a frolicky group as Roy and Dorothy brought family and friends together. Listen to Dorothy describing Grandpa’s Pie Party.



Track 12    Tui Glen canoes

Waitakere during WWII, when New Zealand was a destination for American armed forces who were seeking rest and relaxation. Many interviews recall this time of dances and socials. Murray Becroft (b.1929) shares his memories of Americans visiting Tui Glen. This interview was a ‘walk and talk’ - background sound of wind and traffic can be heard.
The Tui Glen Landing – now, there used to be canoes and dinghies and what-have-you on the creek here - then let out by Mr Brooks. And then of course in 1942 or thereabouts, the Americans came here.  It was a favourite picnic place.  They used to come out here with their girls, hire the canoes and dinghies, go down the creek, go up on the bank.  Now of course those young fellas was on the Creek, 10, 11 and 12 and so on … and we used to find these canoes on the bank and we used to gently pull them out into the creek, row further down letting them all off and pick them all up as we came back again and come up back up here and get a shilling each for them.



Track 13    The Orchard

During his walking tour Murray Becroft described the area in which he grew up and his job of protecting the orchard.

The orchard being handy to Tui Glen – we used to have a lot of stealing – a lot of raiding on the orchard. My father gave me a 22 with blank cartridges and my job was to patrol the orchard with these blank cartridges.


Ref: Baby Austin car, 1930, West Auckland Research Centre, Auckland Libraries.

Track 14    Childhood summers


John Munro (b.1938) brings us our last taste sensation for this smorgasbord, with this delightful childhood memory

When I drive through there now and see all the houses on either side of the road – gosh, I can remember standing there on the intersection of Ranui Station Road and Swanson Road on a Sunday, there’d be no traffic at all. Even during the week there’d be very little traffic, there’d be no traffic at all, but it would be so quiet on a hot sunny day that all you could hear would be in the distance would be Rupert Cook’s cows lowing and you could hear the cracking of the pine cones as the hot sun burst them open and all the seeds would come down. That would be the only sound that you could hear and just the crinkle of the grass, the long grass in the sun. It used to be so isolated; it was quite a tranquil place in those days and I can see why they called it Ranui because Ranui, from the Maori, is “plenty of sun”.

LISTEN - John Munro (2002). WOH-1024.2.       Ranui Action Project Oral History Collection 

Ref: Munro family home, c1950, John Munro Private Collection.

Author: Liz Bradley, West Auckland Research Centre

April Fool's Day

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The first of April marks April Fool's Day. There is a long history of practical jokes being played on April 1 in New Zealand. George Reed reported in 1883 that Noah's Ark had been discovered and the story was reprinted in papers around the world, and in 1949 the radio host Phil Shone convinced the people of Auckland that a swarm of wasps were descending.

The BBC got into the fun in 1957 with a news item about spaghetti trees.

More recently NZ On Screen published a hoax biography of fictional film maker Colin McKenzie. A list of other New Zealand April Fool's hoaxes can be found here.

Whilst not a prank or practical joke I thought Aprils Fool's Day provided an appropriate opportunity to present some of the more humorous images in our photograph collections relating to various races staged in New Zealand through the years, plus a photo of a roller skater in a chicken suit.











Author: Andrew Henry

Sarah Maxey talk - poetry in graphic design

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In connection with the current Sir George Grey Special Collections exhibition -- For the love of books -- graphic artist and publisher Sarah Maxey will be giving an illustrated talk on Friday 30 January at 1pm, at the Central City Library, Auckland. 

Following the talk, there will be a chance to view and explore artists' books, hosted by exhibition curator Georgia Prince.

Ref: Sarah Maxey typography.
Sarah Maxey's work has graced publications worldwide, including the New York Times and many literary books. She has won numerous awards, most recently the 2011 Purple Pin, the highest graphic design accolade in New Zealand and a Certificate of Excellence from the International Society of Typographers.


Ref: One of the postcards in Sentimental Journey,
a project involving Sarah Maxey, Kris Sowersby and Kate Camp.
One of the projects Sarah will focus on in her talk is Sentimental Journey, a collaboration between a poet (Kate Camp), a book designer (Sarah Maxey) and a typeface designer (Kris Sowersby) based on the Surrealist game The Exquisite Corpse, using expressive typography.

Below are some examples of Sarah Maxey's book cover designs showing some of her hand-drawn typefaces and illustrations. 


Ref: C K Stead, Dog poems, Auckland: Auckland University Press, 2002.
Book cover design: Sarah Maxey.
Ref: Geoff Cochrane, Acetylene, Wellington: Victoria University Press, 2001.
Book cover design: Sarah Maxey, after the Harvest Neil Young album cover.
Ref: Vincent O'Sullivan, Further convictions pending: poems 1998-2008, Victoria University Press, 2009.
Book cover design: Sarah Maxey.
Ref: Chris Price, Brief lives, Auckland: Auckland University Press, 2006.
Book cover design: Sarah Maxey, Collage: Brendan O'Brien
Ref: Anne Kennedy, Sing-song, Auckland: Auckland University Press, 2003.
Book cover design: Sarah Maxey.
Author: Zoë Colling, Sir George Grey Special Collections

Easter - illuminated medieval manuscripts and early printed Bibles

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This Easter Heritage et AL is featuring a selection of illustrations from our illuminated medieval manuscripts and images of some early (pre 1501) printed bibles. The illuminated manuscripts include a variety of liturgical and devotional books of differing types, some of which are described below.

These definitions are from Medieval & Renaissance manuscripts in New Zealand Collections by Margaret M. Manion, Vera F. Vines & Christopher de Hamel which is a comprehensive text on medieval manuscripts held in New Zealand.
  • Missal "contains the texts used for the celebration of Mass, together with a liturgical calendar."
  • Breviary"contains the texts used for the recitation of the Divine Office, together with a liturgical calendar."
  • Book of Hours "A devotional book, popular with the laity from the late thirteenth century onwards. It contains a selection of short Offices, prayers and devotions, and is prefaced by a liturgical calendar. The Little Office of the Virgin Mary is often included, and from this element comes the name ‘Book of Hours’ or ‘Hours of the Virgin’."

The Rossdhu book of hours is contains large illustrations (miniatures) portraying the Passion of Christ, the saints, Lazarus rising and the ascension of souls to heaven, and is viewable in its entirety on Auckland Libraries website. The image below is from page 45, the Agony of Christ. Christ is pictured praying in the Garden of Gethsemane while the disciples sleep. It is interesting to note that throughout the Rossdhu Book of Hours all the figures depicted are wearing fifteenth-century garb.


These next images are from what is known as the Besançon Missal. The two volume Besançon Missal was illuminated for Charles de Neuchatel (1439-1498) who was elected archbishop of Besançon in 1463. The Missal dates from around 1471. The page below would have been for Mass on the Thursday during Holy Week as it shows Christ washing the disciples' feet.


Note the difference in Crucifixion illustrations between the volumes.



This illuminated Breviary was made for Augustinian use in Umbria and was produced in Perugia between 1470 and 1490. It was owned by Father Antonius de Macerata who held important offices in the Augustinian order in Perugia from the 1460s to the end of the 1480s. The following page would have been for Easter Sunday as it shows the Resurrection



All three of these manuscripts are written by hand on vellum.

Early Printed Bibles

The following images are from the first printed Dutch Bible, published by Jacob Jacobszoen van der Meer and Mauricius Yemantszoen in 1477. The image is of the last page of the Bible with the Printer’s stamp in red.


This is Psalterium cum canticis, printed in Milan in 1481. The text is bothGreek and Latin printed in parallel columns and at the beginning of each column you can see the space left for the hand illuminated initial:


This is a Latin Bible from 1483 believed to have been printed by Johannes Grüninger in Strassburg. This was donated to the library by Henry Shaw, as you can see from his signature and the year 1901 written on the first page of the Prologus:


These images are from another Latin Bible also donated by Henry Shaw. This Bible consists of four volumes and was printed in Nuremberg in 1485 by Anthon Koberger.

All volumes are bound in their original vellum covers; below is the spine of volume 1:


This is a page from the Prologus in volume 3:


For more on Auckland Libraries’ early printed collections see Zoë’s recent post about Incunabula and for further reading on some of these manuscripts and Bibles see the following publications:

Author:  Andrew Henry 

Peace, prayer and reflection in South Auckland

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Three years ago, when I started work at the South Auckland Research Centre I did not really know what to expect. I knew that the community was different to any library setting that I had worked in previously.

From a socio-economic point of view conditions vary greatly from place to place, it is young, it is vibrant, and it is multi-cultural. I noticed the strong sense of community. I was welcomed with warmth; there is a tangible spirit of generosity here. I had moved from a small city in the provinces to ‘the big smoke’. Now, when I go back to visit family there it feels like I am stepping back in time.

In geographical terms the South Auckland Research Centre collects material from across a large area. South Auckland has a rich and deep history. Boundaries have been created, merged, changed and expanded over time. 


Thinking about my initial impressions of South Auckland led me to look for a way to highlight the community by drawing attention to some of the important photographs that we hold in our Footprints collection. The exhibition Peace, prayer, and reflection in South Auckland is a selection of portraits of people and buildings that have a connection with spiritual life and worship in South Auckland.

The exhibition runs from 2 April to 1 May at the South Auckland Research Centre on Level 1 of Manukau Library, so please do drop bye and have a look. If you can't make it in take some time to look at the online exhibition. Below are a few of the images in the exhibition.





Author: Sharon Smith, South Auckland Research Centre

Researcher in residence 2015/2016

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It's that time of the year again, when we call for applications for our Researcher in Residence scholarship. 

The Auckland Library Heritage Trust, in association with Auckland Council, is offering a research scholarship using the Sir George Grey Special Collections at the Central City Library. 



As well as rare and historic books, Sir George Grey Special Collections includes maps, manuscripts, archives, photographs, sketches, drawings, oral history and musical recordings, sheet music, and ephemera.

Ref: Isa Outhwaite, Letter to Sir George Grey, 6 July 1885, Sir George Grey Special Collections, Auckland Libraries, GLNZ O9.2.

The scholarship is open to NZers and overseas visitors to NZ. To apply you need to have a research proposal based on material held in the Sir George Grey Special Collections. The scope for the proposal is broad, just like the breadth of the collections, so you could focus on NZ, the Pacific or international subjects. This gives you lots of options to choose a topic that you really interests you and which reflects and explores the treasures in the collections.



Applications for 2015/2016 close on 31 May 2015, please visit this page for more detailed information.

The forgotten New Lynn Gateway of Remembrance

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New Lynn’s First World War memorial was not erected until some years after the war. A proposal first made in 1920 to erect a soldiers’ memorial on the Triangle Reserve in the centre of town came to nothing. Eventually, Reverend W.P. Rankin, the minister at St Andrew’s Presbyterian Church Hall, took matters literally into his own hands, and erected a substantial brick ‘Gateway of Remembrance' on the corner of Matai Street and Margan Avenue outside his church. The Reverend Rankin was no stranger to bricklaying, having previously built the church hall himself.



The Gateway of Remembrance was formally dedicated on 5 November 1933. Marble tablets on either side of the arch listed the names of 94 men from the district who had served during the war, 19 of whom had been killed in action.

 


Matai Street was later renamed Rankin Avenue. However, the memorial itself has long since disappeared. Its date of demolition has not been recorded, and it is not known what happened to the memorial tablets. Last time I passed by, in December 2014, the old church building still stood on its original site nearby, although it was unused and had a dangerous-looking bulge in its eastern wall. 


The story of the forgotten archway can be traced partly through newspapers accessed on PapersPast. See:  ‘New Lynn Memorial: Gateway of RemembranceNZ Herald, 9/8/1933, p. 11; ‘New Lynn Memorial’, Auckland Star, 30/10/1933, p. 8; ‘New Lynn Memorial’, NZ Herald, 2/11/1933, p. 10; ‘New Lynn Memorial Gateway’ [photograph], ibid., p. 6; ‘War Memorial Gateway at New Lynn’, NZ Herald, 6/11/1933, p. 10; ‘War Memorial at New Lynn’ [photograph], ibid., p. 6; ‘War Memorial: New Lynn Gateway: Official Dedication’, Auckland Star, 6/11/1933, p. 10; ‘Unveiling Reveals More than Plaque’, Western Leader, 3/6/2013, p. 3. 


This is the first of a series on interesting Auckland war memorials by Bruce Ringer, South Auckland Research Centre

Online Cenotaph on the road

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Yesterday at the Central Auckland Research Centre we successfully installed an Artifact Digitisation Unit (ADU).

As part of He Pou Aroha, Community Cenotaph the Auckland War Memorial Museum has created the ADUs to promote the redeveloped Online Cenotaph websiteOnline Cenotaph, developed by the Auckland War Memorial Museum in association with the Ministry for Culture and Heritage is a rich biographical database of New Zealand service personnel which provides a lasting legacy of the WWI Centenary commemorations.

Ref: Andrew Henry, ADU in Central Research Centre, 14 April 2014, Auckland Libraries.

The ADUs provide an opportunity for members of the public to bring in a relative's items and then add images of them to that person's entry in the Online Cenotaph database. Items could include medals, letters, diaries, papers or photographs. The ADU contains a camera which takes a photo of the item and then it is uploaded to the Online Cenotaph database. A more detailed, step-by-step guide on adding contributions to the Online Cenotaph is available on the Auckland War Memorial Museum's website.

Ref: Kelly using ADU, 14 April 2014, Auckland Libraries.

Many of the records of World War 1 soldiers in Online Cenotaph include portraits from Auckland Libraries’ Herman John Schmidt Collection. The entire First World War Soldier Portrait series can be found on the Our Boys website.

If you would like to add further narrative content about a relative who served in World War 1, you can use Auckland Libraries' Our Boys website. This is not restricted to relatives who served in the army; it can include nursessailors and even people who were put in Internment Camps in New Zealand during the war. The Our Boys, Our Families Research Guide is a great resource for those looking to carry out some research into family members who played some role in the war.


If you're based in West Auckland, Titirangi Library will be hosting an ADU from Tuesday 21 April and will also be running a series of talks around caring for your family treasures and researching relatives who served in the First World War. 

Keep a look out on the Auckland Libraries and Auckland War Memorial Museum websites for details of where and when the ADUs will be near you. If you can't make it out to an ADU or your item is too large to fit in the ADU or too precious to bring out in public you can always upload to the Online Cenotaph from the comfort of home, all you need is a device that can connect to the internet and take digital photographs.

He Pou Aroha, Community Cenotaph project will officially be launched on 5 May at Pukekohe War Memorial Hall.

For a guide to Anzac Day events hosted by Auckland Libraries see our Anzac Day events guide

Author: Andrew Henry

Wartime Propaganda - Germans, Turks and Austrians as seen by the Auckland Weekly News

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This year Auckland Libraries remembers it is 100 years since New Zealand’s first major baptism of fire during the First World War when our troops landed at Gallipoli on 25 April 1915. To commemorate that event Sir George Grey Special Collections staff are working to make the Auckland Weekly News Supplement photographs from 1915 more searchable for researchers, librarians and readers who look at the Heritage Images in our Digital Library. These photographs feature events and people from all major war fronts but also include New Zealand personalities and scenes.

How our attitudes to the people who were then our enemies have changed during the past 100 years! But back then Auckland Weekly News caption-writers jingoistically stirred up public hatred for the Germans, contempt of the Turks and mockery of the Austrians.

The depths of German depravity were unfathomable as this propaganda cartoon of German troops massacring Belgian citizens in Louvain shows.


The next two photographs feature the aftermath of a German bombing raid on the innocent civilians of Colchester in England:



Germany’s ambitions for world domination knew no bounds, but of course that madman Kaiser Wilhelm would finally come a cropper with his motley crew of Turkish and Austrian allies.


And of course one couldn’t do much with reluctant allies like the Turks.


There were no limits to German ingenuity and downright deviousness. They just didn't have a sense of fair play.  Here they have created a false forest where they could skulk, instead of coming out to be shot down like brave Brits.


But of course when the chips were down Germans were, in the final analysis, a nation of cowards, lacking British backbone.  Here regular German soldiers are encouraging wary reserve troops to advance.


The Austrians were no better. Their artillerymen could not even stand a good bombardment.  The next photograph shows Austrian ‘funk-holes’ in the fortifications around Przemysl in Galicia (now in Poland).


Finally, back to the Germans. Here are two of them revealing their human frailties (in this case lazily riding donkeys instead of marching). Note the sting in the caption’s tail; the true German might be a buffoon, but he’s still a thieving one!


For more images from the Auckland Weekly News, follow our Twitter account which posts an image each day from the corresponding issue 100 years ago.

Author: Chris Paxton

Myers Park

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In 1913 Arthur Myers, M.P., and former Mayor of Auckland gifted the city £9000 for the purchase of a gully in central Auckland with the intent to turn it into a park for the people of Auckland.


The official opening of what was called Myers Park by Mayor Christopher Parr was on 28 January 1915. The New Zealand Herald from 29 January 1915 reported that a large crowd turned up for the opening including hundreds of children. This must have pleased Arthur Myers as the park was focused on children with the plans for the kindergarten and playground. Myers concluded his remarks that day by saying, “I trust this park will be a source of joy to the citizens of Auckland, present and future. It is the people’s property, may they treasure it as their own, seek enjoyment and recreation within its boundaries, and make it an agency for the promotion of the public good.”



Auckland Council is holding a celebration marking the centennial of the opening of Myers Park on Sunday, February 15. To help with these celebrations Heritage and Research staff have created a Historypin collection about Myers Park containing images of the land before it was turned into a park and of Myers Parks itself down the years. The images, taken from our main image databases: Footprints, Heritage Images and Local History Online, range from the 1850s to the 1980s and they show how Myers Park has been used down the years as a place for gatherings, celebrations and play.




Have a look at our previous posts about our Historypin collections and tours; the subjects range from cows to bicycles, places from Samoa to Massey.


In addition to Historypin collections being viewable on your computer as a slideshow there is also a Historypin app available for phones. The app lets you browse historical images from in the place where they were taken and see how the space has changed down the years. You can even take your own photos and ‘pin’ them to a historical image, which is then overlaid and provides a great way to see how space changes through time.

So before your next walk around Auckland, download the Historypin app, enjoy a historic tour of the city, take some of your own photos and pin them to the images Auckland Libraries have already added to the app.

Author: Andrew Henry

“Her Feminine Bridegroom” : cross-dressing women in New Zealand history

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This month sees Auckland Libraries running a range of events to help celebrate Auckland Pride Festival for 2015.

The Heritage & Research teams at the central library have created a range of displays that are on the on the second floor. In the Sir George Grey Special Collections reading room a small exhibition shows some of our holdings relating to the LGBTIQ (lesbian, gay, bisexual, transgender, intersex & questioning) community. Our heritage collections aim to provide a diverse and inclusive range of materials on LGBTIQ people and communities and we welcome donations that help this goal. One of our major collections in this area is the Auckland Lesbian Archive, an inventory for this collection can be found here.

In the atrium outside the Central Research Centre there is a Gay Rights in New Zealand timeline and a display focussing on the history of cross-dressing women in New Zealand out of which this blog post arises. 


There have always been cross-dressing women in New Zealand, many of whom have worked in traditional male jobs, and lived in lesbian relationships. Occasionally in the past, they came to the community’s attention after being charged for criminal offences such as acting under false pretences.

Hokitika-born Bertha Victor was taken into custody for vagrancy in Sydney, in 1906. Known as Bert Rotciv (Victor spelt backwards), she continued to cross-dress upon her return to New Zealand the following year and was charged several times for being a rogue and a vagabond, and for drunkenness while “masquerading in male attire”.


While in Sydney, she demanded to be interviewed by NZ Truth who wrote an article with sub-headings such as “The Sapphic Singularities of ‘Bert Rotciv’” after she told them “Girls got so ‘mashed’ on her as to be positively embarrassing” and that prior to her arrest she’d passed “the night with one of her own sex” (NZ Truth, 5 January 1907).


In 1909 Amy Bock married Agnes Ottaway in Dunedin. Agnes was shocked to discover after the ceremony that her “perfect little gentleman” husband, Percy Carroll Redwood (aka Amy), was a woman. Amy received a sentence of hard labour for the deception.


When the petition for an annulment of the marriage was heard in the Supreme Court, Counsel reminded the Judge that the situation was not unprecedented in Dunedin, and commented on the earlier Lance v. Trequair case, where two women had lived together for eight years before parting ways. “The fact of a woman [like Agnes Ottaway] marrying another woman in ignorance of the ‘bridegroom’s’ sex is remarkable enough, but what is to be thought of a couple that keep it up for eight years?” he asked (NZ Truth, 26 June 1909).

Oamaru’s Netta Morton moved to America in 1905, where she worked as a journalist and as a literary agent - and became known as Deresley Morton. By 1917 Deresley was living as a man named Peter Stratford. Peter worked for the US Army Medical Department and later married Elizabeth Rowland. It wasn’t until he died in 1929, that authorities discovered his gender.


NZ Truth’s article about Peter ended with “Little is known about this strange man-woman so far as her New Zealand associations are concerned, but her escapades will go down in history as being among the most weird and strange that ever startled the public in America or any other country” (NZ Truth, 13 June 1929).

In 1945 Peter Williams (born Iris Florence Williams, in Northland) was charged with making a false statement after marrying Phyllis Jones in Auckland. Once the deception was revealed the Court ordered the couple to live apart, and to undergo psychiatric treatment (until 1973 psychiatrists defined homosexuality as a personality disorder).

Peter had long lived and worked as a man – and had had both breasts removed in order to feel more comfortable in this role. He told Truth that he and his wife often went to dances and movies together and worked in the same firm, where they were known as man and wife. He agreed that their relationship was unusual, although to him, acting and feeling like a male, it seemed perfectly natural. He was happy, his wife was happy, “they were not doing harm to anyone. Why couldn’t they be left like that?” he asked (Auckland Star, 22 November 1945).

For more information on some of the women featured in this story see the following resources:

Author: Leanne,Central Auckland Research Centre

Year of the Ram

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To celebrate the Lunar New Year and the beginning of the Year of the Ram Auckland Libraries are running a series of events across the region. If you are in the central library do pop into the Newspaper Reading Room on the second floor and have a look at the beautiful display Heritage & Research staff created featuring a traditional tea set. If you can't make it into the library have a look online at Auckland Libraries newly launched Chinese Facebook page
   
To celebrate the Year of the Snake, two years ago, we wrote about our Historypin collection documenting Chinese communities in Auckland and also more broadly about Chinese resources available at Auckland Libraries.

The image below shows Rewi Alley’s son Allen Alley at the opening of a specialist Chinese collection, named ‘The Rewi Alley Collection’ at the Manurewa library in 1989. This was an appropriately named collection as Rewi’s brother Geoffrey was New Zealand’s first National Librarian. 



This year to help celebrate Heritage et AL is featuring some images from one of our newer documentary heritage collections related to the Lunar New Year and as it is the Year of Ram we thought we would show off some of the award winning rams in our photograph collections.

The following images are from the Auckland Lantern Festival Collection from 2014 in Local History Online. The images below are a small sample, to view the full collection go into the West Auckland Research Centre.






Below are a selection of award winning rams taken from the Auckland Weekly News and New Zealand Graphic publications from early last century.




This ram was purchased from the King by Mr. G.P. Donnelly in 1904.


As this coming year is also known as the Year of the Goat and the Year of the Sheep it seems appropriate to finish with these images and to remind you to have a look at our previous post on sheep. Happy Lunar New Year! 



Author: Andrew Henry

Maps of Gallipoli

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Sir George Grey Special Collections hold a number of First World War maps of Gallipoli and surrounding regions. Seven of these maps have been digitised and are accessible via the Heritage Images database.

In April 1915, New Zealand soldiers, alongside those from Australia, Britain and France, invaded the Gallipoli Peninsula. This was to ensure an Allied naval force could break through the Dardanelles Strait and seize or threaten the Ottoman capital of Constantinople, and hopefully the Ottoman Empire might be forced out of the war.


The British landed at Cape Helles on the southern tip of the peninsula, while the Australian and New Zealand Army Corps (ANZACs) landed half way up the peninsula, in order to cut off the Ottomans’ supply route to the south.

Neither force managed to achieve their primary objectives and the conflict soon turned into a stalemate of trench warfare.


Ref: The Daily Telegraph picture map of the Dardanelles... , 1915,
Sir George Grey Special Collections, Auckland Libraries, NZ Map 4866.
The map above is of the Dardanelles and Bosporus around the time of the Gallipoli landings. The mountainous terrain is highlighted by the pictorial style of the map. There are inset maps of Constantinople, The Narrows, the Balkan states and Gallipoli.




Ref: Plan shewing defences at APEX ...
1915, Sir George Grey Special Collections,
Auckland Libraries, NZ Map 1277.


The map on the left is a hand-drawn plan, showing defences at the Apex, compiled from surveys made by Privates Walton and Elmes. The Apex was a knoll at the furthest point into the range the ANZACs were able to dig -- about 460 metres from the high point at Chunuk Bair. At the beginning of August 1915, the Wellington Battalion managed to take Chunuk Bair and hold it with desperate fighting until they were relieved by two British battalions. However, these were soon overrun by overwhelming Ottoman forces and the troops fell back to positions at the APEX. 

The Gallipoli campaign would progress no further into the peninsula. The plan shows tunnels and trenches leading up to the front line at the APEX, including one called Cuba Street. 





Ref: ANZAC New Zealand Division trench plan: the Apex, 1915,
Sir George Grey Special Collections, Auckland Libraries, NZ Map 5426.
The original proposed landing place for the ANZAC troops had been on relatively flat ground sloping up to the heights at Mal Tepe. ANZAC cove, however, was on one of the spurs of the Sari Bair Range that jutted down to the sea, and the troops were immediately confronted with steep hills cut by deep ravines. Most of this ground was overlooked from the hills and exposed to enemy fire. 

The topographical map above is the first sheet of three showing the New Zealand positions at Gallipoli. This map shows the Apex, just below Chunuk Bair.

Ref: The Daily Telegraph war map of the Gallipoli Peninsula, Sir George Grey
Special Collections, Auckland Libraries, NZ Map 3037.
The map above is of the Gallipoli peninsula and shows areas where ANZAC troops were entrenched. The key at the top of the map indicates the term: 'indifferent roads' and the map also includes a glossary of Turkish terms and topographical elements.

Author: Zoë Colling, Sir George Grey Special Collections. With information from the 'It'll be over by Christmas: World War 1914 -1918' exhibition labels by Ian Snowdon.

News from the Dardanelles

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On 29 April 1915 Prime Minister Massey announced in Wellington that four days earlier New Zealand troops had participated in the landings on the Gallipoli Peninsula in the Dardanelles. However actual photographs of military activities and living conditions at Gallipoli were sparse in the Auckland Weekly News Supplement until late July 1915. There were photographs of the naval warships trying to force a passage through the Dardanelles and bombarding the Turkish forts there. There was also the Roll of Honour; and its seemingly never-ending portraits of casualties must have alerted readers that something BIG was happening. But either distance, censorship, early lack of official photographers or the simple fact that the troops couldn't easily get their films developed meant the Auckland Weekly News could only gradually reveal the campaign to its readers as events unfolded. This little piece might shed some light on how Auckland Weekly News readers learned about life and death in the Dardanelles.

Early in 1915 readers learned that the Allies’ objective was to invade Turkey by capturing the straits of the Dardanelles then breaking through and taking Constantinople (now Istanbul). After that they could establish a supply line to aid Russia via the Black Sea. In April the Weekly News helpfully published a map showing readers the scene of the action.


However the straits were strenuously defended by the Turks using submarines, mines and gunfire from their coastal forts. Following is a picture of the British battleship HMS Irresistible sinking after hitting a mine and becoming a sitting target for Turkish coastal batteries on 18 March.


After the Navy’s failure to force the straits, military chiefs decided the army would have to land and capture the heights and forts defending the Dardanelles. Before landings could be attempted, minesweeping operations still continued.


Now the ANZACs could go in. The following photograph shows troops in boats being towed by destroyer before the troops rowed the final distance to the beach at Gaba Tepe.


The next photograph shows the early stages of the landing with troops from the Auckland Battalion wading ashore under artillery fire.


And the next drawing is Auckland Weekly News artist Trevor Lloyd’s jingoistic interpretation of the landing. Note the cowardly Turks’ oriental features.


After extremely hard fighting the Auckland and Canterbury battalions secured the left flank of Gaba Tepe and began to dig in.


For the next eight months, dugouts such as the one shown in the next photograph would be the homes for most of the New Zealanders on the Gallipoli Peninsula.


The campaign soon became a stalemate, but death or wounds could come at the most unexpected moment. Stretcher bearers were stretched thin. Private John Simpson was an Australian stretcher bearer. Early in the campaign he began using a donkey to make his job easier. Some Diggers remember the donkey was called Duffy while others think his name was Murphy. New Zealand Medical Corpsman Private Dick Henderson saw Simpson at work with his donkey and also began using one to carry wounded soldiers. According to the Weekly News, Henderson’s donkey was also called Murphy.

The following photograph of Murphy and Henderson was taken by Sergeant James Gardiner Jackson on 12 May, seven days before Simpson was killed by machine gun fire. What became of Simpson’s donkey is a mystery. Legend has it that Henderson began using him but it seems he had his own Murphy. Sergeant Jackson’s photograph later became the source for Horace Moore Jones’s famous painting, The Man with the Donkey.


Death was never far away. After the massive Turkish attack on the ANZAC perimeter on 19 May was repelled, about 3000 Turkish and Arab corpses lay in No Man’s Land. In the summer heat they began to putrefy so that the stench became nauseating. Therefore on 24 May both sides agreed on a day-long truce. The following photograph shows Turks, Australians and New Zealanders working together to bury the dead, before the killing started again next day.


At least those who got a serious wound had a chance to leave the peninsula and never come back. Some of the patients on the hospital ship in the following photograph probably hope they’d got their ‘Blighty’ wound.


The last photograph shows wounded soldiers disembarking at Auckland. All of them are able to walk and none appear to have lost limbs. The soldier in front is using a pair of crutches. But for the seriously maimed men who returned to New Zealand, life frequently became a ‘living death’ where they often faced a lifetime of disability, pain, social discrimination and economic disadvantage. Their big adventure indeed came at a high price.


For more images from Gallipoli have a look at our latest Historypin collection featuring photographic postcards sent back to New Zealand by Sapper Ebenezer Johnson (best viewed in Firefox or Chrome).

Author: Chris Paxton, Sir George Grey Special Collections

Onehunga soldiers’ roll of honour

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What must be one of New Zealand’s finest and most elaborate First World War rolls of honour is found upstairs at the Onehunga RSA, 57 Princes Street, Onehunga.

Sir F.W. Lang MP unveiled the Onehunga soldiers’ roll of honour in the town’s Carnegie Library on 25 April 1919. 


This was a massive three-sided structure made from solid oak. It was more than twelve feet high, eight feet wide, and projected up to three feet from the wall. It incorporated three glass-fronted panels housing hand-lettered and illuminated lists of men from the borough who seen active service, to a total of 460 names. The panels were separated by fluted columns, while the central panel was surmounted by an Ionic arch. Above were carvings of a woman with three children, three soldiers lifting a wounded comrade, and a lion at ease.

Ref: Bruce Ringer, Onehunga Soldiers' roll of honour, 2014.

The memorial was designed by the architect John Park, who had previously designed the library building (opened in 1912). Mr Park also undertook the illumination. The woodwork was by cabinet-maker W. Batts. The carvings were by J.H. Edwards. The base of the roll of honour carried six watercolour paintings by the well-known war artist Horace Moore-Jones: four views of Gallipoli, one scene showing soldiers in a ruined village, and one scene of sailors manning a gun.

Ref: Bruce Ringer, Watercolour by Horace Moore-Jones from Onehunga Soldiers’ roll of honour, 2014.

The memorial bore the inscription: ‘Erected by Onehunga Borough Council. J. Rowe, Mayor 1914-1917. J. Stoupe, Mayor, 1917-1919.’ Six days after the unveiling, John Park was himself elected mayor. In later years, the roll of honour was transferred to the Onehunga RSA, probably around the time the library was moved to the new Onehunga municipal building in February 1970.

More details on this and a range of other Auckland war memorials can be found on the NZ Memorials Register.

Author: Bruce Ringer, South Auckland Research Centre

Big O.E. online exhibition

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Our digital team at Auckland Libraries have created an online exhibition to complement the current Sir George Grey Special Collections exhibition, the Big O.E.

The exhibition is running until 14 June 2015 on the second floor of the Central Library and the online exhibition is located here.


The online exhibition is a great opportunity for those who can’t make it in to the library to see some of this wonderful and nostalgic exhibition about New Zealanders and their big Overseas Experiences (O.E.).

Objects in the exhibition cover a wide range of New Zealander’s big O.E.s and include ephemera like tickets, early air travel brochures and timetables, postcards and luggage tags.


Subjects covered in the exhibition include OEs by New Zealanders involved in the performing arts and literature, early Māori travellers, sporting OEs, early twentieth century travellers, working holidays and of course the overland hippie trail.

There is also a selection of Ron Clark photographs that he took while on OE with his wife Muriel in the 1970s.

Listen to exhibition curator Georgia Prince and Muriel Clark being interviewed by Wallace Chapman on the Sunday Morning show on Radio New Zealand

Author: Andrew Henry

Year of the Ram

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To celebrate the Lunar New Year and the beginning of the Year of the Ram Auckland Libraries are running a series of events across the region. If you are in the central library do pop into the Newspaper Reading Room on the second floor and have a look at the beautiful display Heritage & Research staff created featuring a traditional tea set. If you can't make it into the library have a look online at Auckland Libraries newly launched Chinese Facebook page
   
To celebrate the Year of the Snake, two years ago, we wrote about our Historypin collection documenting Chinese communities in Auckland and also more broadly about Chinese resources available at Auckland Libraries.

The image below shows Rewi Alley’s son Allen Alley at the opening of a specialist Chinese collection, named ‘The Rewi Alley Collection’ at the Manurewa library in 1989. This was an appropriately named collection as Rewi’s brother Geoffrey was New Zealand’s first National Librarian. 



This year to help celebrate Heritage et AL is featuring some images from one of our newer documentary heritage collections related to the Lunar New Year and as it is the Year of Ram we thought we would show off some of the award winning rams in our photograph collections.

The following images are from the Auckland Lantern Festival Collection from 2014 in Local History Online. The images below are a small sample, to view the full collection go into the West Auckland Research Centre.






Below are a selection of award winning rams taken from the Auckland Weekly News and New Zealand Graphic publications from early last century.




This ram was purchased from the King by Mr. G.P. Donnelly in 1904.


As this coming year is also known as the Year of the Goat and the Year of the Sheep it seems appropriate to finish with these images and to remind you to have a look at our previous post on sheep. Happy Lunar New Year! 



Author: Andrew Henry

The Inside Story – tales behind the names in Massey.

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We often don’t give a second thought to the stories behind the names of our roads, schools, creeks and more, but delving into the history of Massey I have unearthed some interesting facts and anecdotes.

The suburb itself was named in 1915 after one of New Zealand’s most significant politicians, the then Prime Minister William Ferguson Massey (1856-1925).  Prior to that, the sparsely populated area was known as Lawsonville, after settler John Lawson who had an orchard by the creek that also bears his name.

Elizabeth Freeman (nee Gregory), who was born in Lawsonville in 1898, described it as, “wilderness, supporting a few cottages…a windswept, low [manukau] scrub desolate area, the ground being exceptionally poor”. Lawson’s Creek was home to a number of gum diggers who built simple whare on its banks. Read an 1889New Zealand Herald article reporting the fate that befell one such man.


English settler John Henry Colwill (middle row, second right) who started a typewriting and supplies business in central Auckland in the late 1890s would later make his mark on the area.



In the early 1900s the successful businessman turned his sights turned towards the west and purchased approximately 1,500 acres in the area that would become Massey. He established Lincoln Park Orchards, offering a home delivery service and the opportunity to sample fresh fruit at his city office, Colwill Chambers, Swanson Street, and built a house on land he named Lincoln Park Estate. Lincoln Road, Henderson, and Lincoln Heights School reference these.


In Massey East Colwill’s surname has informed a road and a school, while Moire Road is named after his daughter. It is believed that Royal Road has its origins in the Royal typewriters he imported from England and his launchWaimumu, on which he travelled from the city to his rural property, is referenced in a road of the same name.





A man from Madeira known as Don Buck (real name Francisco Rodrigues Figueira), ran a gum diggers’ camp on his land near the Swanson Stream at the bottom of what is now Don Buck Road. The camp came to the attention of the authorities following a death in 1912 (read the New Zealand Herald article about it here) and the following year it was inspected by the District Health Officer, as reported here. Despite the reputation of the camp, locals evidently found Don Buck to be a gentleman.



He is recognized with a reserve, a road and a school bearing his name. Local historian Marianne Simpkins has written a poem about this colourful character, a copy of which hangs in the Massey Library. At the West Auckland Research Centre you can listen to Marianne’s interviews with several locals who had tales to tell about the man from Madeira.

Massey started its development as a commuter suburb after the North West Motorway extension in the late 1950s and opportunities arose for families to subdivide, e.g. the Sturm’s orchard property on Royal Road came up for sale in 1966:



Sturm Avenue today:


Dairyman Mr Spargo worked for Colwill and also had a small farm on Royal Road. One of the first roads (clay, unsealed) to be constructed in Massey after Royal, Colwill and Moire Roads was named after him.


The McWhirter family farm is currently being developed; roads and residential property are rapidly transforming the landscape. McWhirter Farm Lane, off Westgate Drive, references the family and part of the farm is earmarked as a Special Housing Area by Auckland Council.


I've only scratched the surface of the stories behind the names, so if you have any insights please feel free to share them in the comments below.

Find out more about Massey in these Auckland Libraries’ resources:

T.A. Bishop Stereographs

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Today on Heritage et AL we are featuring the T.A. Bishop Collection of stereographs that are held at the West Auckland Research Centre. This collection consists of 767 stereograph cards from the early decades of last century.

These images provide a valuable record of the lives of early settlers of West Auckland in general and specifically in Titirangi. For instance, the Bishops attended the openings of the Upper Nihotupu Dam  and also the Titirangi Soldiers Memorial Church.



Whilst this collection is named the TA Bishop Collection, Bishop did not take all of the photographs contained it. Some of the images in this collection have the name of photographer on the back of the cards; these names include well known photographers such as James D. Richardson, Frederick Radcliffe, and F.B. Blackwell. For a deeper look at F.B. Blackwell and his sister Ellen see the biography in number 96 of the New Zealand Botanical Society’s newsletter.

They also provide opportunities to observe the social history of this part of New Zealand from a century ago like this example of a Māori cooking demonstration in Mount Eden. The image below is likely to be depicting this event reported in the New Zealand Herald on 10 October 1927.


The majority of the collection has been digitised and is available for you to browse through on Local History Online. The remaining stereographs that aren't online are the collection of botanical images but these are available to look at in person at the West Auckland Research Centre.

The Bishops must have been very well known for the native bush on their property. In her memoir contained in Titirangi, T.A. Bishop’s sister, Essie Hodge, recalls her father supplying, when the  Prince of Wales visited in 1920, “a great part of the native bush decorations for a reception in the Town Hall for the prince. Several whole nikau palms, festoons of lycopodium and other attractive offerings from the bush.” The Bishop family also supplied botanical decorations for the Auckland Town Hall when Lord Jellicoe visited in October 1920.



For more information on the Bishop family see Titirangi: fringe of heaven by Marc Bonny and this post on Timespanner.

So what are stereographs? The Library of Congress describes stereographs as “two nearly identical photographs or photomechanical prints, paired to produce the illusion of a single three-dimensional image, usually when viewed through a stereoscope.”
To try and recreate this effect we've created a couple of GIFs from the images in the T.A. Bishop collection. 



Author: Andrew Henry

How valuable is the very first copy of the New Zealand Herald, from 13 November 1863?

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Over the years, many people have claimed to have a copy of the very first New Zealand Herald.   As there are only two known full copies, one with the publishers and the other with the National Library in Wellington, any other copy would be extremely valuable.


How then, can they be sure if the copy is indeed an original from 1863?

My first question to them is to check the very bottom of Column One on Page Two. If they find the words “Reproduction: Monday, November 14, 1988”, then they have a reprint even although it has the requisite six pages.

If the version they have has only four pages, then odds on they have a copy of the 1913 reprint, but further questions need to follow.


On Page One is the Z in Zealand with one or two vertical strokes and do the small pictures of the ships in the shipping columns have full sails, rather than furled? The 1863 original has two vertical strokes and furled sails. Below is the 1913 reproduction taken from Paperspast:


The example below is taken from the issue one week after the original and shows what the sketches of the ships looked like with their sails furled:


There is a further point of confusion, however. The Papers Past version of the 13 November 1863 New Zealand Herald must have come from the 1913 facsimile, as it has six pages, one stroke on the Z and full sails. The top right of the first page is also annotated that it is from the 1913 reproduction. 



The example below is taken from the New Zealand Herald page on Paperspast and shows how the original would look with the double vertical lines on the 'Z'.


Auckland Libraries microfilm version of the first copy is also from the 1913 reproduction as this letter that precedes it on the microfilm explains:

Ref: New Zealand Herald, 13 November 1863, Central Auckland Research Centre, Auckland Libraries.

For more information about the New Zealand Heraldon Paperspast have a read of our previousposts on the topic.

Author: David Verran, Central Auckland Research Centre


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